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Joined 1 year ago
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Cake day: July 23rd, 2023

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  • Give me concrete examples. You don’t seem to know what you’re talking about so I want to discuss something specific; the agency you’re talking about is actually there and is centered around the core of the script.

    In your hypothetical where you’ve now decided everyone is just following orders, I can still say the worker did a bad job. You gonna tell me the worker is gonna get fired for not following dumb instructions? Okay. Still did a bad job, orders or not.

    I do not understand why you’re so dead set on telling people critical analysis is bad. Is it morally wrong to like something more than something else? Kinda seems like that way if I can’t ever judge anything because there are constraints outside the control of the thing. I’m not going to attack a straw man here. You should expand on what we can and can’t analyze.


  • There’s a difference between a bad script and bad rewrites. Ending of GoT? Bad script, rewrites don’t matter. 2016 Suicide Squad? Arguably a good script with shitty rewrites. Galaxy of Terror? No comment on the scripts but the rewrites fucked it. Justice League? Horrible script and horrible rewrites. I don’t blame the writers of Galaxy of Terror for Corman’s worm rape scene; I do excoriate Whedon for the pile of shit Snyder used to make a worse pile of shit.

    You’re conflating moral standards with film standards. There are standards that people agree on that loosely dictate what we consider good and bad. They can change based on the viewer. The core of a script is what has the opportunity to be butchered and if it’s bad that’s not on the studio, that’s on the writer. Studios don’t hire someone and say “write us a piece of shit” they take something that exists and modify it (unless you’re Neil Breen in which case that’s your goal).

    In your example, I can get frustrated with a grocery worker pushing all of the things to back of the shelf where I can’t reach. That is a fair criticism of their contribution to the inane reshuffling. I’m not saying they’re a bad person because they’re doing the thing they need to do to survive poorly; I’m saying they’re doing a thing poorly. It has no bearing on them as a person. It’s not morally wrong of them to make it impossible for me to get the item I need; it is a shit job though.


  • You’re talking about two different things. In general, you should never be disrespectful of anyone because there’s no need to be mean. However, I can definitely criticize a writer for working on something terrible because they wrote it. I can also criticize a studio for releasing it. “Just following orders” doesn’t remove culpability especially when the writing is really fucking bad.

    Please note I’m not talking about this movie because it hasn’t been released yet. I’ve watched a plethora of movies over the last month that had really bad writing.




  • Let’s assume you’re arguing in good faith here so we can understand why land deeds and URLs are completely different.

    Deeds are managed by a central authority. There is an agreed-upon way(s) to view and search those deeds. There is a single authority to update or remove deeds. The items the deed refers to also are controlled by a single authority and changing them has a single process.

    URLs are registered (loosely) with a central authority but the similarities end there. I can impersonate a URL on a network (even up to large chunks of the internet if I’m able to confuse DNS in a large enough attack). So just because you’ve bought the domain referenced in the blockchain and set up some name servers doesn’t mean any consumer of the blockchain or even the internet is guaranteed to hit your instance of the domain. All a URL is is a reference to something so let’s assume for a minute we can have a global reference. What’s behind it? Again, completely uncontrolled. For now it could be your NFT; what happens if I am your hosting provider and destroy your instance? Move your hardware? What’s to prevent you, the owner of the assumed global reference, to change what that uniform resource locator is actually locating?

    Land deeds and URLs are not analogous. Land and the content served at a URL are not analogous. Let’s look at NFTs quickly to see if we can actually do something about this!

    Since we have a single-write, read-only database, why not store the full thing in the DB? Well, first you have to agree on a representation. It has to be unchanging so we can’t use a URL. It can’t ever duplicate so realistically hashing is out (unless our hash provides a bijection which is just a fancy way of saying use the fucking object itself). Assuming we’re only talking about digital artifacts (attempting to digitize a physical asset is a form of hashing meaning we get collisions so you can’t prove ownership), we’re now in an arms race for you to register all of your assets and their serialization methods before I brute force everything. Oh and this needs to live everywhere so it can be public so you need peta-many petabyte drives. But wait! Now we’re burning the sun in power just to show you have ownership of 10 and I have ownership of 01. Fuck me that’s dumb.



  • There is literally no way to opt out of Google’s data collection if you are going to use their products. Using another frontend shifts the data profile but it still exists and provides value to them. It’s reasonable to say it’s a bad thing. It’s unreasonable to say there are no other ways. I grew up in a public library and I can still get most of the information I need from a public library without Google products (things I can’t get usually come through inter-library loan or direct connections with subject matter experts at, say, a maker space). This seems to be less of “I’m against invasive corporations” and more of a “I don’t like the solutions available to avoid invasive corporations.”



  • I pay for YouTube Family. I consume a lot of YouTube and I want to support the creators I watch. At its current price point, YouTube Family is reasonable. Several households in my family get ad-free YouTube for what is a reasonably low price point for each household.

    If the price goes up much (eg if I were paying the single price of $11 per household), the creators I really enjoy continue to get pushed out or change content because of shitty ad rules, or they pull the whole “must be in the same household” bullshit I would drop it in a heartbeat just like I’ve dropped most streaming providers. Streaming has become cable and YouTube has been shooting itself in the foot by forcibly changing content for advertisers. I come to the platform for content, not advertisers.









  • That explanation runs counter to my experience with VC-funded companies, marketing budgets, and running in the red in general. Trying to hit as much of the total addressable market as possible means burning money. Notice how I expanded and included discounts? You don’t even get a 5% off code. Framework is making a profit so they can lose margin on a low percentage (if they’re not making a profit then there’s no reason to not throw away more to get closer to TAM anyway).

    Board games run in the thousands for some of the bigger ticket items. I’m not sure you understand either market. I regularly crowdfund packages that are more than at least 25% of the Framework prices I’m skimming now.