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Cake day: July 5th, 2023

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  • I saw someone complaining that the old X-men show was at least subtle and not in your face about how it approached social issues.

    This was in response to a clip from the old X-men show of a bunch of anti-mutant brownshirts in armbands getting mad that a filthy mutant was touching a human woman.

    I think it’s safe to say that person was not arguing in good faith.





  • As horrendous as this ruling is, I’m also pissed at the pro-forced birthers that are upset by this ruling. It’s so intellectually dishonest to object to this ruling when it uses the same justifications they use to oppose abortion.

    These people pick issues to be passionate on but never actually put in the effort to research. And not just whether their position makes any sense, but what the downstream effects of the position would mean.

    The politicians who write these anti-abortion laws are even more lazy. This is literally their job and they should have seen this coming. They could have put in exceptions for IVF from the get-go but they didn’t, because they are more interested in winning points than writing effective legislation.





  • I like Vesper (2022) as one of the few I know of that focuses on biological technology, and it is part of the story as opposed to a backdrop.

    There’s a lot of body horrror/Cronenburg stuff I like that gets close. Stuff like The Fly, Testuo the Iron Man, Videodrome, etc. But that’s focused more on the “wouldn’t this be fucked up?” than the exploration of biotech.

    Repo Men (2010) and Repo! The Genetic Opera (2008) have a strong focus on the commoditization of the human body and organs especially. Gattaca (1997) is a little similar in that genetic therapy is important to society. And The Island (2005) is centered on cloning. Of these four, I like Repo! the most, but for other reasons than its take on Biopunk.

    eXistenZ (1999) is probably Cronenburg’s most straight forward take of biology as technology, as opposed to just a source of horror, but I haven’t actually watched this one yet.

    District 9 (2009) and Akira (1988) have situations that cause massive biological change, but not centered on Biopunk in my opinion.

    The Blade Runner films, despite being the posterboys of Cyberpunk film, have a lot of potential considering that at the end of the day Replicants are biological. Splice (2009) at least focuses on the actual development of new biological technology, but winds up being more of a Frankenstein tale than anything.

    The Alien universe has hints of this with the Space Jockeys, xenomorphs, and androids. But it’s not ubiquitous.