• Mossy Feathers (They/Them)@pawb.social
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    11 months ago

    Man, a lot of people here don’t understand how the music industry works. From the perspective of someone who’s been loosely following the music industry, what I’ve learned is that it doesn’t matter if Spotify gave up 2/3rds of their revenue, or 100% of it, the artists would still make fuck all.

    Why?

    The labels love taking their cuts and as a result, artists make very little. Instead of taking the blame for giving artists a <10% cut of the label’s revenue from their music (my understanding is that it’s pretty common for musicians to get <10%, sometimes <5% if you’re on a particularly shitty label), the labels are blaming platforms like Spotify.

    Now, I’m not saying that Spotify is blameless, however I think there’s a lot of misdirection from the labels going on. I don’t remember anyone complaining about pre-spotify services like Pandora Radio for not paying out enough when they were largely ad-supported, which is another reason I’m not totally buying the, “it’s cause it’s free” argument either.

    Fuck, remember Pandora?

  • donuts@kbin.social
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    11 months ago

    I call bullshit. Yeah I’m sure they spend 2/3 of their income on rights holders, mainly Joe Rogan, Ed Sheeran and Taylor Swift.

    The average musician isn’t making shit, and yet the spotify execs are sipping champagne.

  • lolcatnip@reddthat.com
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    11 months ago

    How is this news? The price you pay for media of any kind I can think of goes mostly to the rights holders, not the companies physically delivering it to you. You may object to the rights holders being shitty record labels, but that term also includes independent artists. And more to the point, rights holders are by definition the people who are entitled to profit from selling access to the media they own.

    If you want to get pissed at someone, get pissed at the record labels sharing a ridiculously small part of their licensing fees with the artists who make their product.

    • crab@monero.town
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      11 months ago

      Spotify is horrible quality for 2023

      To my surprise, even Spotify’s standard (not high or very high) is extremely difficult, if not practically impossible for the average consumer to differentiate from lossless (on better than consumer grade hardware). Upon hearing this, me and several friends decided to test it for ourselves by taking lossless files for several songs and resampling them to the same codec and bitrates that Spotify’s standard quality uses, then ABX testing the before and after with Foobar’s ABX and exclusive mode plugins (also tried the popular comparison website, but that’s apparently less accurate). One of my friends had access to a college studio, I have a dac and sennheiser, and the third had sony wxm4s. To our surprise, none of us could consistently differentiate the two. Its not perfect considering we didn’t grab the outputs directly from the streaming platforms, but that would’ve added extra variables like volume normalizing (louder sounds better).

      Our conclusion is that the quality “difference” is likely placebo and probably a waste of bandwidth.

      • BigBananaDealer@lemm.ee
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        11 months ago

        i figured having volume normalizer off would be the best quality

        i think a lot of people that complain about the “bad” quality simply have the volume normalizer on, which makes the quality worse for some songs

      • pup_atlas@pawb.social
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        11 months ago

        I wholeheartedly disagree. I have more trained ears then most (worked in video production), but not by much, and when i got my AirPods Max, I thought they sounded awful at first. They were crunchy and dithered sounding in this weird way. I was gonna return them, but I did some testing, and discovered that I was hearing Spotify compression. I turned up the quality as high as it would go in the settings, and that made it a little bit better, but I could still hear it, and can to this day. I did some further testing by signing up for a tidal free trial, in addition to Apple Music. Listening in lossless was an entirely different experience, I could definitely tell the two apart blindly, without even specifically looking for sound quality. There were like 2 to 3 instruments in a given song that I wouldn’t be able to pick out in the lower quality audio, that I could easily pick out in the lossless audio. You have to have a pretty decent pair of headphones to be able to hear it, but some of the higher and consumer stuff can definitely hit that level, and when you do, it’s not something you have to go looking for, it sounds very obvious.

        • First@programming.dev
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          11 months ago

          Do you realize AirPods Max/iPhone is capped at AAC/256 kbps over BT, and needs DAC -> ADC -> DAC to use a wired connection?

          • HexagonSun@sh.itjust.works
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            11 months ago

            Yep, absolutely this.

            You cannot listen to musically losslessly with AirPods Max, cabled or not.

            From Apple’s own site: “The Lightning to 3.5 mm Audio Cable was designed to allow AirPods Max to connect to analog sources for listening to movies and music. AirPods Max can be connected to devices playing Lossless and Hi-Res Lossless recordings with exceptional audio quality. However, given the analog-to-digital conversion in the cable, the playback will not be completely lossless.”

            If someone thinks AirPods Max sound amazing, they’re agreeing how good compressed audio can sound, whether they realise it or not.

            • pup_atlas@pawb.social
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              11 months ago

              If someone thinks AirPods Max sound amazing, they’re agreeing how good compressed audio can sound, whether they realize it or not.

              Yes! (Kinda) I’m not saying lossless music is the end all be all, and honestly in normal life I prefer non-lossless, because its SOO much less data, and you can hardly tell the difference in normal listening anyway. What I was trying to express was how bad badly done compression can sound. Good compression exists, and it can sound nearly identical anecdotally, but there is a limit to how low you can go before you start hearing it, and I’m trying to say that I think Spotify has chosen a rate below that level by default. I switched to a higher profile and the problem is mostly gone.

          • pup_atlas@pawb.social
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            11 months ago

            There may be other factors at play, Apple quite likes to compress stream data between their own devices, even on “standard” protocols (just look at their monitor collaboration with LG where they did the same thing to exceed the max resolution of an existing display signal). Regardless, there is a difference, and it is not a small one. It was immediately obvious to me after listening to a single song. Something about the pipeline is crunching audio to the level where it’s obviously degraded. This isn’t audiophile grade splitting hairs and “I think it sounds ever so slightly better with these gold cables” it was like the difference between 480p and 1080p video to me, enough to be actually annoying during normal listening, even if I was actively trying to forget about it.

            • First@programming.dev
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              11 months ago

              Ok it sounds like what you experienced was caused by something completely different than detecting an audible difference between Spotify’s 320 kbps AAC encoding and lossless encoding, encoded over a 256 kbps AAC BT codec, but if you actually want to do a true A/B blind test of 320 kbps vs. lossless on your setup, here’s the place to do it:

              https://abx.digitalfeed.net/ (select the first link - “The statistically valid Tidal test to make”)

        • astray@lemm.ee
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          11 months ago

          I’m not trained in anything useful but I had a similar experience. It was like upgrading from a 720 screen to a 4k screen.

  • Chemical Wonka@discuss.tchncs.de
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    11 months ago

    They just want your personal and behavioral data to sell to third parties for shady purposes. After all, AI’s don’t feed themselves

  • TheMurphy@lemmy.world
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    11 months ago

    Honestly, Spotify is only half bad compared to the real scumbags of this industry, and that’s the “rights holders”.

    It’s not the artists who created the music I’m talking about. It’s the record companies taking the largest piece for themselves.

    They are the ones earning on other people’s talent and success.

      • Josh@sh.itjust.works
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        11 months ago

        I’ll die on that hill. 90% of the artists I listen to, I found through spotify’s algorithms.

        • dumpsterlid@lemmy.world
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          11 months ago

          Ok, but why not find a human that curates the kind of music you like? They are called DJs.

          I don’t understand why we need to get rid of human DJs that seems like the last job we need to replace.

          edit why do y’all think I am talking about radio DJs? You…. know there are wayyyyyyy more DJs out there than just radio DJs right?..…right?

          ….like y’all know mixes exist right? Like mixcloud or whatever?

        • Mango@lemmy.world
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          11 months ago

          Yo. I can be a record label. Come hang out in my apartment while I pay the bills and BAM! I get all the royalties!

          Sounds like stealing with extra steps. Actually it sounds like just being rewarded for having money to begin with.

          • clgoh@lemmy.ca
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            11 months ago

            Actually it sounds like just being rewarded for having money to begin with.

            That’s most of the economy.

  • NaoPb@eviltoast.org
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    11 months ago

    Yeah it’s all the fault of the rightsholders. Definitely not bad management.

    Not that I’m a fan of rightsholders but this is more like shifting the blame.

  • jjjalljs@ttrpg.network
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    11 months ago

    I mostly listen to smaller bands and buy their stuff on Bandcamp. It sucks that Bandcamp was sold (twice now) and will probably go down the shitter, but that seemed like a more sustainable model. Also buying music is nicer than renting it for me.

    • speck@kbin.social
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      11 months ago

      Team Bandcamp as well. I’ll be sad if it degrades. My hope is it survives long enough to be discovered by everyone as they get sick of the shit music streams on Spotify, Pandora and their ilk

  • Nighed@sffa.community
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    11 months ago

    This is why I thought some of their recent actions that hurt the lowest played artists was strange, you want to encourage artists to NOT use the big publishers to help break their triopoly.

    I think the most recent changes are fine in practice, but the optics are not great which probably matters a lot.

    • GenEcon@lemm.ee
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      11 months ago

      Even the smallest artists are making more than 1000 streams yearly. The only ones they are hurting are AI generated songs.

      • Nighed@sffa.community
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        11 months ago

        FYI it’s 1000 per track per year, not per artist.

        I agree though, I went through my instrumental playlist which has loads of indi stuff and the smallest I found had 10,000 plays

        Edit - looks like I got a notification for this 4 days late…

  • echo64@lemmy.world
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    11 months ago

    Ugh, yes poor poor spotify, fuck that. Artists can’t even make a living making music anymore thanks to spotify. Fuck off blaming artists for trying to get paid. Fuck this article. Oh no it only gets a third of the revenue?! Abhorrent, no it should get ALL the revenue, for doing what, having a server with music on it. Amazing. Fuck spotify.

    • 4realz@lemmy.worldOP
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      11 months ago

      Wooh. 👀. This isn’t Spotify’s fault. They can’t pay artists if they don’t have money.

      • 𝔇𝔦𝔬@lemy.lol
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        11 months ago

        Haha. Don’t be shocked by the reaction. We live in a world where a certain portion of ‘people’ Believe every thing should be free and corporations don’t need money at all and should just be willed in to existence and live off of the ether.

        Etc. Etc. Rich people bad

  • thesporkeffect@lemmy.world
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    11 months ago

    To determine if this company is actually a poor widdle guy or just trying to look like their hands are tied with respect to paying artists, look up how much Daniel Ek is worth, and then look up what he does with his money