By that measure, most movie theaters also shouldn’t be showing movies – very few of them have the precise setup a given movie was mastered for. If the movie was made with IMAX laser projection in mind, it should only be down in theaters with such projectors even if this excludes 95% of theaters. Likewise for rumble seats. Or theaters with Atmos sound systems if the movie was made with DTS-X in mind.
Of course this leads to the conclusion that it’s financially unwise to release movies at all because any movie will only ever be able to be shown in very few theaters and will not recoup its production costs.
Or, you know, you release it for multiple projection and sound setups and accept that there is a close enough level of fidelity for a given use case. Which leads us back to actually properly mixing it for the home release because the people who have IMAX laser 3D projectors and 12,000 W sound systems are not going to be using Blu-Ray in the first place.
By that measure, most movie theaters also shouldn’t be showing movies – very few of them have the precise setup a given movie was mastered for.
That’s what calibration is for. You master using a reference display and whatever you use in the theater should be calibrated to the same specs.
Or theaters with Atmos sound systems if the movie was made with DTS-X in mind.
Why would that be a problem? DTS:X is more flexible with speaker layout than Atmos. If you have a theater with a speaker layout for Atmos it should be no issue to use them with a DTS:X processor.
Or, you know, you release it for multiple projection and sound setups and accept that there is a close enough level of fidelity for a given use case. Which leads us back to actually properly mixing it for the home release
How do you go from “Atmos and DTS:X in a theater are close enough to give a similar experience” to “we should mix it for a bunch of crappy 2.0 TV speakers” ?
If you mix it for such an inferior setup, nothing is left of the original movie. Sounds i a huge part of the movie experience. Try watching a scary movie with the sound muted, it’s not scary at all. If you mix it for a TV’s built in speakers, nothing of value is left. What is even the point of watching a movie like that?
By that measure, most movie theaters also shouldn’t be showing movies – very few of them have the precise setup a given movie was mastered for. If the movie was made with IMAX laser projection in mind, it should only be down in theaters with such projectors even if this excludes 95% of theaters. Likewise for rumble seats. Or theaters with Atmos sound systems if the movie was made with DTS-X in mind.
Of course this leads to the conclusion that it’s financially unwise to release movies at all because any movie will only ever be able to be shown in very few theaters and will not recoup its production costs.
Or, you know, you release it for multiple projection and sound setups and accept that there is a close enough level of fidelity for a given use case. Which leads us back to actually properly mixing it for the home release because the people who have IMAX laser 3D projectors and 12,000 W sound systems are not going to be using Blu-Ray in the first place.
That’s what calibration is for. You master using a reference display and whatever you use in the theater should be calibrated to the same specs.
Why would that be a problem? DTS:X is more flexible with speaker layout than Atmos. If you have a theater with a speaker layout for Atmos it should be no issue to use them with a DTS:X processor.
How do you go from “Atmos and DTS:X in a theater are close enough to give a similar experience” to “we should mix it for a bunch of crappy 2.0 TV speakers” ?
If you mix it for such an inferior setup, nothing is left of the original movie. Sounds i a huge part of the movie experience. Try watching a scary movie with the sound muted, it’s not scary at all. If you mix it for a TV’s built in speakers, nothing of value is left. What is even the point of watching a movie like that?